Built with C++ and openFrameworks, the visual compositions rely on algorithmic patterns, motion, and shifting perspectives to evoke the emotional essence of each sin. Through generative design techniques, each piece explores the interplay between chaos and order, embodying the abstract nature of vice.
Beyond the digital, the posters also exist as physical objects. Each sin is printed in A2 lenticular stereo-vario format, allowing the image to transform depending on the viewer’s position, reinforcing the idea that sin is multifaceted and ever-shifting.